Wednesday, 14 March 2012

A Tribute to.......MOEBIUS



French artist Jean Giraud who signed himself as GIR and MOEBIUS died last Saturday, March 10, 2012 aged 73. Drawing and painting since age 16, the artist left an amazing legacy of illustration and comic book art in a striking individual style unlike any other.

Born in Paris, France, in 1938. At age 16, in 1955, he began his only technical training at the Arts Appliqués art school, where he started producing Western comics. He became close friends with another comic artist Jean-Claude Mézières. In 1956 he left art school to visit his mother in Mexico and he stayed there eight months, after which he returned to work full time as an artist.

  His famous work the Lieutenant Blueberry character, whose facial features were based on those of French dramatic movie actor Jean-Paul Belmondo, was created in 1963 by Charlier (script) and Giraud (drawings) for French magazine, Pilote, which quickly became its most popular figure. His adventures as told in the spin-off Western serial Blueberry, are possibly Giraud's best known work in his native France.The early Blueberry comics used a simple line drawing style and standard Western themes and imagery, but gradually Giraud developed a darker and grittier style inspired by the Spaghetti Westerns of Sergio Leone and the dark realism of Sam Peckinpah. With the fifth album, "The Trail of the Navajos", Giraud established his own style, and after censorship laws were loosened in 1968 the strip became more explicitly adult, and also adopted a wider range of thematics. "Angel Face", the first Blueberry album penciled by Giraud after he had begun publishing science fiction as Moebius, was much more experimental than his previous Western work.

Giraud left the series in 1973 leaving the artwork to Colin Wilson, Michel Rouge and later Michel Blanc-Dumont for a few books. He returned to it in the following decade, producing many more very successful Blueberry stories, further increasing its already outstanding quality.
 




 When Charlier, Giraud's collaborator on Blueberry died in 1989, Giraud assumed responsibility for the scripting of the series. Blueberry has been translated into 15 languages, the first English translations by Marc Lofficier being published in 1970.  The original Blueberry series has spun off a prequel series called "Young Blueberry", and a sequel called "Marshall Blueberry".



The Moebius signature, which Giraud came to use for his science fiction and fantasy work, was introduced in 1963. In a satire magazine called Hara-Kiri, Moebius did 21 strips in 1963–64 and then disappeared for almost a decade.

 In 1975 he revived the Moebius signature, and with Jean-Pierre Dionnet, Philippe Druillet, and Bernard Farkas, he became one of the founding members of the comics art group "Les Humanoides Associes". Together they started the magazine Métal Hurlant, the magazine known in the English  as Heavy Metal . Moebius' famous serial The Airtight Garage and his groundbreaking Arzach both began in Métal Hurlant. In 1976 Metal Hurlant published The Long Tomorrow written by Dan O'Bannon.

Arzach is a wordless comic, created in a deliberate attempt to breathe new life into the comic genre which at the time was dominated by American superhero comics. It tracks the journey of the title character flying on the back of his pterodactyl through a fantastic world mixing medieval fantasy with futurism. Unlike most science fiction comics it has no captions, no speech balloons and no written sound effects. The wordlessness provides the strip with a sense of timelessness, setting up Arzach's journey as a quest for eternal, universal truths.



Comics, movie concepts and storyboards, Sci-fi, Fantasy were all part of Giraud's artistic endeavours and his death is a true loss to the world of popular art;











Moebius' design for He-Man costume in "Masters of The Universe"



More Moebius:
















Planetronix, Earth,
March 14, 2012.

Tuesday, 13 March 2012

Superman 40's revisited......



British artist, Des Taylor, has produced a nice collection of Superman images based on the
look of the famed 1940's animation series produced by the Fleischer Studio for Paramount Pictures; the artwork was presented in public at the recent London Comicon:























Des Taylor's Captain America:







Des Taylor's BATMAN & GREEN LANTERN



Fantastic young artist, don't you think?




Below; images from the original 1940's Fleischer cartoons:












  













                         





                                       Print version of Fleischer Superman (DC Comics)  

  



The Fleischer  Superman cartoons are a series of seventeen animated Technicolor short films released by Paramount Pictures and based upon the comic book adventures of Superman which had debuted in 1938.

The pilot and first eight shorts were produced by Fleischer Studios from 1941 to 1942, while the final eight were produced by Famous Studios, a successor company to


Fleischer Studios,  and associate of Paramount, from 1942 to 1943. Superman was the final animated series initiated under Fleischer Studios, before Famous Studios officially took over production in May 1942.

 Fleischer used rotoscoping in a number of his later cartoons. Rotoscoping is an animation technique in which animators trace over live-action film movement, frame by frame, for use in animated films. Originally, recorded live-action film images were projected onto a frosted glass panel and re-drawn by an animator. This projection equipment is called a rotoscope, although this device has been mainly replaced by computers in recent years.
  
The Fleischer studio's most effective use of rotoscoping was in these action-oriented Superman cartoons, in which Superman and the other animated figures displayed very realistic movement. The technique was invented by Max Fleischer, who used it in his series Out of the Inkwell starting around 1915, with his brother Dave Fleischer dressed in a clown outfit as the live-film reference for the character Koko the Clown. Max Fleischer patented the method in 1917.

 Although all the cartoons  are now  in the public domain, ancillary rights such as merchandising contract rights, as well as the original 35mm master elements, are owned today by Warner Bros. Animation. 

The fantastic thing is that all these fabulous cartoons are now available on DVD at very reasonable prices.

You can also see them here on YouTubes:






Planetronix, Earth,
March 13, 2012.